United UT FET47 Käyttöohje
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LARGE-DIAPHRAGM CONDENSER MICROPHONE
Owner’s Manual
THANK YOU!
Thank you for purchasing the United Studio Technologies UT FET47. We realize how many
microphone choices are out there, and we are honored that you have given us a chance. We
have done all that we can to exceed your expectations in a quality microphone, in terms of
craftsmanship, feel, appearance, and most importantly, sound. We make our microphones
not to be good for a price; but to simply be the best we can make them, and to be as good as
the best products available. We have scrutinized and labored over not just the major parts; but
every component from end to end, as well as the circuit design and mechanics. With proper
care, our products should last a lifetime of use and beyond.
CHAD KELLY
United Studio Technologies, LLC.
Baton Rouge, Louisiana USA
UT FET47
Vintage FET Condensor Microphone4
Owner’s Manual
Version 1.0 as of 10/15/2019
Additional Support
Visit www.unitedstudiotech.com for additional
support.
Chapter 1: Now Let’s Get Started!
1.1 Connections and Power
CHAPTER 1:
NOW LET’S GET STARTED!
1.1 CONNECTIONS AND POWER
1.2 HARDWARE CONTROLS
The UT FET47 is a cardioid pattern, large di-
aphragm, transformer-balanced condenser
microphone designed for a very wide range
of recording studio applications. It’s opera-
tion is fairly straightforward; and as with any
microphone; the more attention given to
setup and placement, the better the results
will be. The UT FET47 features a high pass l-
ter for eliminating subsonic information such
as oor vibration and rumble, and a -10 pad
for use in very loud sound pressure situations
such as kick drum, ampliers, and especially
loud vocalists.
HOW TO KNOW IF YOU NEED THE PAD
ENGAGED?
It is good practice, unless you are certain you
will need it, to start without the pad engaged.
You will know you need the pad if the signal
is distorted, clipping, or ‘atlined’ even after
properly spacing the microphone from its
source. The pad will allow for an additional
10dB of headroom in the amplier circuit for
these situations.
WHEN TO ENGAGE THE HIGH PASS FILTER?
In studio recording, we feel it is usually good
practice to record an audio source at ‘full
bandwidth’ and to precisely tailor any band-
limiting in the modern workstation. This
provides much more accuracy than a single
switch on a microphone can provide; and the
switch at this point is more a carryover from
an earlier time. There are a number of sound
sources, however, where one can be fairly
sure that frequencies below the switch cutoff
frequency are not going to play a major part
in the makeup of the audio source, or at least
not in the nished (edited/processed) form
that the audio track will take. This includes
voice, guitar, drum overhead, and possibly
some acoustic instruments. This is particularly
The UT FET47 requires 2 things in order to
properly function: a 3 pin XLR cable, and 48V
phantom power.
The rst is simple; plug the XLR cable to the
output jack on the bottom of the UT FET47.
Then connect the cable to your recording de-
vice, preamp, or mixing console. Ensure that
the cable is properly working...
Sorry, we had to spell that out.
Engage 48V phantom power on your device.
If your device does not provide 48V phantom
power, an external, dedicated power supply
will be required for operation.
Tuotetiedot
| Merkki: | United |
| Kategoria: | Mikrofoni |
| Malli: | UT FET47 |
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